The Jungle Book (4/4)

We all have our memories of watching Disney's animated Jungle Book, and most of us loved it. Growing up in India, watching Jungle Book every Sunday, was something I looked forward to. And I was really looking forward to this movie. And to put it in few words, The Jungle Book is awesome. We really have to thank Jon Favreau, for not ruining our childhood memories, but actually nourishing and refreshing them.

There's not much spoilers in the story, since most of us know it. It's a story of a boy, who got lost in jungle, when his father was killed by a Tiger. The boy was found by a black leopard, and left with wolves to grow up, as a man-cub, as a wolf. Until the Tiger finds the boy again, and vows to kill him. And the boy decides to take on the tiger, instead of running away, with the help of his old and new friends.

But the beauty of the film is in its authenticity to the source material, both the original Disney film, and the original work by Rudyard Kipling. The film manages to create the magical world that Disney did in its animation film. And probably what Mr Kipling would have imagined. The animated jungle is surreal, beautiful, scary, deep, big, all at the same time. The animated animals are as real as real animals, I believe. Thanks to the amazing technology, and Disney $175 million budget, it all looks just perfect.

All The voice cast is just brilliant. Idris Alba gives a new definition to Shere Khan. He's fierce, terrorizing, and mighty. Bill Murray's Baloo is definitely the best Baloo, and the best bear character ever. Who better than Bill to be our beloved, funny, laid-back, smart-ass, Baloo.Christopher Walken as King Louis is quite a treat, in his New Yawk accent. Ben Kingsley, Lupita Nyong, Scarlette Johanson, Giancarlo Esposito and all the voice cast is great. And last, but not the least, Neel Sethi is the best Mowgli ever. Not just because finally an actual Indian is cast as Mowgli, but because he's all that Mowgli needs to be. He acted with no partners, but all CGI, which was done in post-production. And he does amazing job.

You may not like this movie, if you do not like good movies. You would like the movie, if you like good movies. So, you should go watch it! 

Trailer:

Watch the brand new trailer for Disney's The Jungle Book now! See the legend come to life in 3D, Real D 3D, and IMAX 3D on April 15! đŸ»đŸŻđŸ”đŸ Directed by Jon Favreau ("Iron Man"), based on Rudyard Kipling's timeless stories and inspired by Disney's classic animated film, "The Jungle Book" is an all-new live-action epic adventure about Mowgli (newcomer Neel Sethi), a man-cub who's been raised by a family of wolves.

Checkout the video below to see behind the scenes of the

Subscribe to COMING SOON: http://bit.ly/H2vZUn Subscribe to TRAILERS: http://bit.ly/sxaw6h Like us on FACEBOOK: http://bit.ly/1QyRMsE Follow us on TWITTER: http://bit.ly/1ghOWmt The Jungle Book B-ROLL (2016) - Scarlett Johansson, Lupita Nyong'o Movie HD An orphan boy is raised in the jungle with the help of a pack of wolves, a bear, and a black panther.

Director: Jon Favreau Screenplay: Justin Marks Story by: Rudyard Kipling Music composed by: John Debney Raised by a family of wolves since birth, Mowgli (Neel Sethi) must leave the only home he's ever known when the fearsome tiger Shere Khan (Idris Elba) unleashes his mighty roar.

The Last Witch Hunter: A conversation with Brett & Rose

Live Forever.  Hunt Forever.  We recently had the pleasure of speaking to director Brett Eisner and star Rose Leslie, about their new film "The Last Witch Hunter", also starring Vin Diesel, Elijah Wood and Michael Caine. The movie premieres this Friday October 23rd, in theaters everywhere.

The film stars Diesel as Kaulder, an immortal warrior from medieval times, living in the modern era as a slayer of witches and their summoned monsters. Cursed by the Queen of Witches, Kaulder is incapable of dying. Although this would seem to lessen tension in the story, Eisner envisioned the magic of the film's universe to pose a significant threat regardless.

"[Kaulder] may be immortal but his mind is susceptible. We didn't want witches throwing fireballs. They create spells that enter your mind and make you think they're somebody they're not or they pull out a memory and send you back into that memory. Twist the memory, turn you insane, trap you, force you to face an old memory and that idea of magic seemed unique to me. "

"It's a power that Chloe doesn't necessarily want to tap into," says Leslie, of her character, who teams up with Kaulder in his quest to fight evil. "She holds it with a little trepidation because it is essentially black magic and the fact that she has the ability to enter someone else's mind and warp their perception or thoughts and memories to her advantage, gives her this unsightly feel. It's a nasty, nefarious power."

Leslie, known primarily for her roles on feature-scale shows such as "Game of Thrones" and "Downton Abbey", was right at home on a big budget set. "I realized while I was working on 'The Last Witch Hunter' that the quality that HBO brings to their television shows are absolutely on the same scale as a feature. The kind of cinematography that you're looking at when you watch something like Thrones, the costumes, the locations, the story lines, the characters; it's very much on par with films."

While Leslie spoke of cinema's current trends, Eisner was moved to consider the past.

"[We're in] a world where we can now do almost anything technically, visually that is. When you look at Ridley [Scott]'s earlier movies, those effects are as good if not better than [effects] are today. And all that was done with miniature and stop motion. It's not about the technology necessarily, it's about the person using the technology."

Director Brett Eisner and Star Rose Leslie with Paul Zapata from myNewYorkeye

Eisner is enthusiastic about the science-fiction genre. His previous credits include a pilot for the Syfy channel production of "The Invisible Man" and the early 2000's miniseries "Taken". "My goal in making movies is to get to big sic-fi films," he says. "And it seems like we're in a renaissance of that
"Blade Runner", "Star Wars, "Alien", those were the movies when I was a kid
.2001: A Space Odyssey
 I mean it's the greatest Sci-Fi- of all time, clearly."

Of "The Last Witch Hunter" he is quick to enthuse about it. "It's a film that's based on nothing other than the original writer's ideas. That's one of the things I absolutely loved about the movie. The last film I did was a remake of a Romero movie so the next one I wanted to do something wholly unique if that was possible. Not easy, these days." Eisner further talked about his hopes for continuing to explore the possibilities within the movie's universe, possibly in sequels.

"This idea of multiple planes of reality, how can we have Kaulder fight as he's physically fighting this character but also fighting off remnants of this memory where he's seen his family or his own death
 to me that was an exciting way to treat the movie and I would love to be able to expand on that more in later films."

For Rose Leslie, the experience was to be treasured. "From the get go I felt so lucky to be surrounded by all these male characters like Elijah Wood and there's Michael Caine and Vin Diesel. I couldn't believe who I was surrounded by. I was constantly in awe of getting to know each one."

Subscribe to TRAILERS: http://bit.ly/sxaw6h Subscribe to COMING SOON: http://bit.ly/H2vZUn Like us on FACEBOOK: http://goo.gl/dHs73 Follow us on TWITTER: http://bit.ly/1ghOWmt The Last Witch Hunter Official Trailer #1 (2015) - Vin Diesel, Michael Caine Movie HD Vin Diesel plays the last remaining witch hunter who must battle against an uprising of witches in modern day New York.

This observation led her to reflect on the disparity between men and women within the industry. "I went to drama school when I was 18 years old. For three years, in London, and it was far more predominantly male within my year. I think they took 26 [students] and there was a solid 20 men in comparison to 6 women and that was when it really struck me that there are far more roles for men within this industry than there are for women. But," and her eyes lit up, "there's a turning of the tide. Hell's yeah! It's about time."

~ By Paul M. Zapata and Christopher Froehlich

In my father’s House (4/4)

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In my Father’s house is a documentary about Che « Rhymefest » Smith and his father. Che comes from a single parent home, he was raised by his mother and his grandparents, and has only seen his father a few times in his life, when he was a kid. Che decides to buy the house in Chicago that his father used to live in the few times he saw him. Evidently, he starts wondering about his father, where is he now ? What is he upto ? This movie is about their relationship, it is about growing up with an absent parent, reconnecting, rehabilitation but it is also and foremost a message of hope.

Spoilers Begin:

Che « Rhymfest » Smith grew up in Chicago, with a teenager mother, and help from his grandparents. His father was never really in his life. In 2006, he encountered great success, co-writing an Emmy winning song with Kanye West. He talks about his hit, the impression that you won it all, but also when it doesn’t work as planned (his album did not do too well), and how he encountered more and more financial difficulties whilst still trying to maintain an image of success. Che has children on his own and starts wondering about fatherhood after buying his father’s house. He decides to try and find his absent father.

His father is homeless and alcoholic and is still in Chicago. They meet and gradually, very genuinely, a relationship blossoms between the two of them.

Naturally, Che decides to help his father and gets him into rehabilitation programs, recovery programs, to the point that his father, that has been homeless for 20 years, gets his own apartment.

The documentary treats so many different subjects that it’s hard to summarize. It deals mainly with parenthood; Che explains that 75% of African American children grow up in single parent households. He has been through this and explains why growing up without models, some of these children end up being in gangs, to feel like being part of a family. Che is coming to term with his own fatherhood too, he admits he has not always been the greatest father, and he tries to help the kids in his community. One scene is very poignant of a young kid rapping about death, Che tells him « Your father was killed right? Your brother was killed, why are you talking about killing people? This is your material right there ». He later goes to the same kid and asks him « Who do you have that you can talk to? «  The kid is crying. Truth is, he has no one so Che gives him his number, now he has someone. There is something so real and heartbreaking about that scene. Those kids have to learn to behave like adults, they want to be the “heroes”, they want to make it but also they have to be tough, to be strong. This scene shows how deep inside, they are still kids, lost, without anyone to talk to, just pretending to be grown ups, to be unaffected when they are holding up their tears.

Che helps his father, Bryan, in every way he can, but his father has been living in the street for the past 20 years, he has been drinking for atleast that much time too. This documentary also deals really well with rehabilitation, how much work and efforts it takes. Bryan tries so hard to do better, to go to the classes, to find a job, to live on his own but we feel how lonely he is because he is between two very different standards of living, opposite realities. On one side, he has his son, Che that has now taken the role of a father, checking in on him, encouraging him but also reprimanding him, asking him to do more, do better. On the other side, he has his « old life », what has been his life for the past 20 years. His homeless friends that he does not connect with much anymore, most of them being high but also, that don’t want him around, telling him he has become arrogant. He is so lonely, seeing both sides of it is heartbreaking. You see this man doing his best, but that doesn’t seem to make him necessarily happier, even though he has food, and clean clothes and an apartment, because he is alone, misunderstood by all. Che is afraid that Bryan will relapse into alcohol, and constantly reminds him of it. Bryan feels like he has no control over his life, while Che worries he does not control him enough. At the end, Bryan has a relapse and Che has a very strong reaction at first, he says he is done, he cannot help anymore. However, and that is the beauty of Che, and of this movie, relationships and human beings are not simple. This is not black and white. Yes, Brian relapsed, but that is to be expected, the road to recovery is full of relapses and of forgiving, over and over. Che understands that, he understands that he has to accept his father for who he is, for his weaknesses and failures, but also his strengths and achievements, no matter if they are not the attributes we would give to an « ideal’ father. There is no ideal father, there are just human beings, doing the best they can, trying, failing and trying again.

In the end, Che has become the father, he has managed to forgive, he has opened his heart, he has become a whole and accomplished person, but most importantly he has given his father what his father did not give him when he needed it the most, unconditional support and love: a family.

All the people in this documentary are incredible, they are really what you would call « good people », no matter if they have done bad things, if they have been selfish or else, they are humans and you never judge them. Bryan has not been a father to Che, he knows it although he has troubles admitting it. But Bryan, also had an abusive father, what notion does he have of fatherhood? Of family?

Che did not have a father and he could have done, just like Bryan did, abandon his own children because he didn’t know better. But he, instead, broke the circle. He decided to build his legacy, to build his family, he becomes the one people can lean on.

Spoilers End***

This documentary is truly amazing, you understand how complex relationships are, how forgiving is necessary to love and be loved but most importantly, it is a message of hope. It shows that you can truly change your life around, that you can build things on your own and it also completely redefines the notion of parenthood. What is parenthood if not two people having a child. Are those two people suited to do so? Are they grounded? Are they good role models? Are they responsible? Well, not necessarily and comparing them to an ideal can only make them look worse. Accepting them for who they are, forgiving, learning from their mistakes, and being the bigger person is how you learn to love, and how you become a better parent and a better person yourself.