Patriots Day (4/4): An amazing reminder of Boston Strong, and strong USA!

“Two people took many days and weeks to plan out hate, but love responded in an instant.”
– Survivor Patrick Downes

These words beautifully and truly summarize what we see in the film. This film is a taught emotional dramatic thriller, that keeps you on your toes, right until the end. The film does makes you lil sad, lil scared, but you end up coming out strong. Just like the event itself!

This happens to be one of the most perfectly cast films, from Boston native Mark Wahlberg himself to everyone else. Mark's performance keep the film human and real. Another real-life character (although amalgamation of many) portrayed perfectly by Mark. John Goodman and Kevin Bacon are the lifeline of this beautiful film. You also get surprisingly amazing performances from Melissa Benoist (Supergirl!) playing Katherine Russell (Tamerlan Tsarnaev's wife), and Alex Wolf and Themo Melikidze, playing Tsarnev brothers. And the real show stealer is Jimmy O. Yang as Dun Meng, the driver the Tsarnaevs carjacked on April 19. All in all, it's an amazing cast making the film even more wonderful.

Although the film has come at a a sensitive time, the film thankfully doesn't demonize muslims or communities but shows quite an honest picture. The film is quite raw when it comes emotions, some of the bloodshed and the pain of that awful day. But it's very humanized and beautifully portrayed. It's shot so realistically that it's almost impossible to believe that you're not seeing the real events themselves. It's not overly dramatized, but dramatized enough to make it an appealing strong film. The storytelling is beautiful and the message is on-spot. From chaos, to anger, to rage, to pain, to patriotism, to love... you can feel it all!

http://www.patriotsdayfilm.com An account of the Boston Marathon bombing, PATRIOTS DAY is the powerful story of a community's courage in the face of adversity. In the aftermath of an unspeakable act of terror, Police Sergeant TOMMY SAUNDERS (Mark Wahlberg) joins courageous survivors, first responders and investigators in a race against the clock to hunt down the bombers before they strike again.

From acclaimed director Peter Berg (“Deepwater Horizon,” “Lone Survivor”) and Academy Award® nominee Mark Wahlberg), CBS Films and Lionsgate present “Patriots Day.” Based on true events, “Patriots Day” is a powerful story of a community’s extraordinary courage in the face of adversity. An account of the events surrounding the Boston Marathon bombing, the tension-packed dramatic thriller chronicles in detail one of the most sophisticated and well-coordinated manhunts in law enforcement history. The events may have unfolded in Boston, but the bombing and the city’s determined response impacted the world.

The 2013 Boston Marathon bombing shattered lives and tested the fabric of the American spirit. But in its wake an entire city came together to bring the perpetrators to justice, tracking them down in record time before they could inflict further damage beyond Boston. Rather than give themselves over to panic and fear, the citizens banded together, choosing solidarity over divisiveness in pursuit of a common enemy.

The story of “Patriots Day” is drawn from real-life accounts including those of first responders, hospital workers, law enforcement investigators, government officials, everyday citizens, and the actual survivors. Through dedication and individual acts of bravery, the city – and the country – were able to emerge from the crucible stronger and more united than before, and show the world that love always triumphs over evil.

Joining Wahlberg is an all-star ensemble of actors including Kevin Bacon as FBI Special Agent Richard DesLauriers, John Goodman as Boston Police Commissioner Ed Davis, Academy Award® winner J.K. Simmons (“Whiplash,” “Juno”) as Watertown Police Sergeant Jeffrey Pugliese and Michelle Monaghan (“True Detective,” “Gone BabyGone”) as Wahlberg’s wife Carol Saunders.

As Berg sees it, “Patriots Day” is a film “about civic heroism, strength and resilience in the face of evil, a story that demanded to be told.”

“Patriots Day” provides audiences with “a deeper, more profound understanding of how the event impacted the city and how it responded,” says producer Michael Radutzky who, as producer of CBS’ “60 Minutes,” was responsible for the first investigative report of the incident. The piece, which centered around Boston Police Commissioner Ed Davis, aired less than a week after the bombing. “There is something special about how Boston handled the attack, something about the city’s innate spirit, the resolve of the survivors and the commitment of everyone involved to bring closure.”

Radutzky notes Berg was the ideal director for the project. “Pete’s a masterful filmmaker who found the humanity in the story, treating the subject honestly and accurately.”

Adds producer Hutch Parker. “I can’t think of another filmmaker who has chosen to tackle so many non-fiction adaptations, and done it so well, which is difficult because you know that you not only have to tell a good, entertaining story, but one that honors the facts. On that score, when you look at Pete’s history, from ‘Friday Night Lights’ to ‘Lone Survivor’ to ‘Deepwater Horizon,’ no one really does it better.”

Like many Americans, Berg had followed the events from the beginning. “I was moved by how the city rallied together to capture the perpetrators and how they continued to support each other,” says Berg.

Another theme that intrigued Berg was the way in which these acts of terrorism impacts contemporary society. “This horrific incident and others like it happening all over the world are acts of true cowardice carried out by religious extremists and other radicalized individuals targeting innocent people,” he says.

“What’s powerful, haunting and disturbing about this event, is that it didn’t happen in the mountains of war torn Afghanistan or a besieged city in the Middle East, but rather on Main Street USA.”

Berg was also keen to showcase the unified effort by the Boston area law enforcement working in close proximity with the FBI and how they coped throughout the ordeal, performing tirelessly under the most trying of circumstances – with the whole world watching. “The selfless courage of members of our military and law enforcement has been a source of ongoing inspiration to me,” he says.

Berg and his fellow filmmakers meticulously researched the story, spending several months meeting with local police chiefs, FBI case agents, Massachusetts State Police and other law enforcement, and community and organizational leaders to ensure that the film accurately depicted the real-life experience.

“The only way this movie would work is if the city of Boston was a character in the movie. We needed them to be partners in the process, because we owed it to them to get it right,” remarks Berg.

“The time we spent in Boston early on with those touched by these events was essential,” explains producer Scott Stuber. “It was the only way to make sure that we were telling the story accurately and with the right attention to detail. We gave them all our contact numbers so if there was a problem, or if they had a memory about the event, they could call us and discuss it. We wanted them to have the same kind of access the city had given us, to establish a true camaraderie.”

“Patriots Day” relies on multiple story lines to capture the tension that engulfed the city during the 105-hour manhunt. “Thousands of people’s lives were touched by this,” says Berg. “To capture the scope, we decided to follow seven or eight characters, each of whom was affected in a different way. No one in Boston knew what was going to happen next and there was a real concern that there’d be more attacks – and justifiably so. We were able to give a broader picture of the impact the bombing had on the city, both through individual acts of bravery and amazing acts of kindness and compassion.”

Just as Berg was the obvious choice to direct the film, who better to represent Boston’s can-do spirit and dedication than native-born son and Academy Award® nominee, Mark Wahlberg, who grew up in the city’s Dorchester neighborhood and would take on a central role in the film. Wahlberg also served as producer on the project.

Wahlberg confesses that, initially, he was a bit reticent to jump on board. “It’s such a sensitive subject to me because everyone in Boston knows someone who was directly affected. If I was going to do it, I wanted to make sure that we got the story right.”

Another consideration was whether it might be too soon after the bombing to tell the story. “But when I started to think about it,” explains Wahlberg, “my reaction was that if we don’t do it, someone else will and if they don’t come at it with the utmost respect and sensitivity it’s going to be a major problem.”

“Nobody’s going to dictate our freedom. Stay strong.”
– David “Big Papi” Ortiz, Boston Red Sox

In experiencing the film, the goal is for audiences to take away hope and optimism.

“I hope this film works as a visceral experience, so that for two hours the audience gets caught up in the emotion and the energy and the intensity that infused the city in those 105 hours between the bombing and the capture of the brothers,” says director Peter Berg. “And I certainly hope that it becomes an opportunity for people to have a discussion about what is happening around us today and why it’s happening, and how at the end of the day love wins.”

Adds Wahlberg: “People will continue to do bad things, but they cannot dictate how we live our lives. We need to be able to go to a marathon, we need to be able to go to a baseball game, we need to be able to go to the movies, we need to be able to live normal lives and we all have to come together. The people of Boston showed that, in the end, love of our fellow man is always going to win out. That’s why this story needed to be told. And why the film’s positive message should be seen by everybody.”

“So much of what inspired us all in this story is the way in which Boston, its people, its law enforcement, its first responders, its survivors, understood that the way forward was to remain strong; to carry on in the face of something that was otherwise unthinkable,” says producer Hutch Parker.

Producer Scott Stuber adds, “the film’s message is about standing up, standing together and doing what’s right.”

The message of the film is perhaps best put into words by the real people:

Police Sergeant Jeffrey Pugliese: “I’m a true patriot. I really do believe in America. I really, really do. I think Boston Strong, which is also America Strong, shows that we are going to stand up and defend ourselves. We’re not going to take it and be beaten down.”
Survivor Patrick Downes: “The bombs went off and wreaked incredible havoc, death and destruction, but in that immediate instant afterwards, people ran toward us.”
Former Boston Police Commissioner Ed Davis: “When I first heard the term Boston Strong, about two days into the investigation, and for me it was emblematic of how tough the city and its residents can be.”
Former FBI Special Agent in Charge, Boston Division, Richard DesLauriers: “In the weeks after the bombing, when I had the opportunity to visit some of the most severely injured survivors, I was absolutely amazed by the strength and resiliency of the human spirit exhibited in these individuals. It was absolutely amazing.”
Former Governor of Massachussetts Deval Patrick: “I think that day...the bombers took lives and limbs, they took some of our sense of security. But they took a lot less than they intended. And they gave us back some things they didn’t intend...they gave us a stronger sense of community, a common cause. And I think we’ve seen that in other examples, in other cities around the world.”
Dun Meng: “When we have a challenge, we have a problem...we are facing it together. We always have hope. Be confident that good always defeats bad.”
Survivor Steve Woolfenden: “I have a tremendous amount of optimism and hope for the future.”
Survivor Jessica Kensky: “This has been the absolute worst and lowest time in our lives, as well as the best. After being the recipients of such incredible care and kindness, the very least I can do is get out of bed and try again, and try and make this world a little bit better for someone else.”
Survivor Patrick Downes: “When we see the news that another attack has happened, in Brussels, in Islamabad, Nice...Orlando, San Bernardino, Paris... I think it’s important we think of these people around the world, not as victims of violence, but ambassadors for peace.”

Suicide Squad: David Ayer brings you most DIVERSE & FUN film from DC universe!

Who knew super-villains can be so much fun? David Ayer & Warner Bros did, as they bring you a colourful, funny & action-packed adventure for this summer. And there are some superheroes too, which'll definitely leave you hungry for Justice! (wink-wink)

Highly awaited DC superhero/anti-hero/supervillain film, Suicide Squad released today. Art Shrian talked David Ayer, writer-director of the film. Although a very established Holywood name with films such as End of Watch (2012),Sabotage (2014), and Fury (2014) under his belt; he’s a very cool, sincere and humble man. And very smart too. Here are the excerpts from the conversation :
 

Art Shrian: Congratulations on the film, i truly enjoyed it. Great action, really funny and lotta fun!

David Ayer: Thanks a lot!

AS: You are known for your gritty, realistic films. As a storyteller, how was it working on a comic-book fantasy film?

DA: I got a lot of help, from some very smart people. Great production designer, a great team. The way I came at it was, what if it was real? How can I make it believable? There are all these crazy fantastical and magical things that happen, in the film. But even the wardrobe and way people look and everything, I wanted to make it as realistic as possible. I wanted it to feel, if people driving through the city see Suicide Squad in an alley, doing their business. To put them in our world. Same thing with joker. You go back to the very first joker comic in the 40s. He’s like this insane gangster. And if it’s that simple, what would an insane gangster look like today? You know. I just try to make it as real as possible. The best way to make it real, is to make characters real people, with lives, and hearts. Make them live and breathe on that screen. And that’s what the actors did.

AS: That’s wonderful. You do have a great cast. And I have to congratulate you on diversity of the film. People make it a “talk”, but you truly made a diverse movie with all colors, genders represented. Congratulations on that. So was that a conscious effort?

DA: Yes, the cast is amazing. But as far as diversity, it’s not that I sit and go, oh gee, I’m gonna cast a diverse movie. I just want the world on screen to look like the world I live in, and the world I grew up in. These are the faces I saw growing up. I grew up in downtown LA, and this is the world I know. I know how important it is. When you’re a kid, and you go to these movie, and nobody looks like you, it’s kinda not fair. It’s not cool!

AS: Well said. Totally agreed. So how was it bringing this amazing cast together. You got big stars, and big names. How did you make it happen?

DA: It was scary, because I really wanted these people. And I didn’t know if I’ll get them. I started seeing the movie in my head, with Will, with Margo, with Jared, and it was lil scary until you get the deal closed. And there was no script. So, they signed up, and there’s still no script. So not only I had to get them to commit to movie, but also to commit, without any script to read. So, I am making a lot of promises to them, “hey, it’s gonna be good, i promise”, but I haven’t written it yet. So, there was a lot of pressure on me, to live up to my promises to them. But I can’t imagine the movie with any other cast.

AS: Yeah, you have totally nailed it with the casting. It’s amazing. You’re also writer of the film. And directing as well, which is completely different process. So, talk to me about the writing process, this being a comic book film and all that.

DA: When you write, you have to shut the world out. I just lock the door and turn off the phone. And you have to ignore everything. Because if you’re thinking about all these things, it’ll kill you. You’ll never make progress. You’ll never start typing. And when you write, you have to be free to make mistakes, cuz you’re not gonna get it right the first time. We started making the movie, before we had the script. We had the sets getting designed etc. It’s scary. But you have to ignore all that. Ignore all the pressure, all the calls, and just write. But it’s also the most important part. Because script is the story. Shooting the movie is the funnest part. I enjoy that the most. But this was a journey. Every step was hard, but every step was rewarding.

AS: I enjoyed it. There’s lot of characters, and a lot going on, but it’s fun. Really funny dialogues, and several great scenes too. As a writer-director, do you write as you direct, or direct as you write? Or you keep it completely separate?

DA: I try and keep them separate. Because to write you have to think a certain way, and to direct, you have to think a different way. And one is totally alone, and one is with people. And it’s really hard for me to go back and forth. But I have gone into my trailer, and written a scene, in middle of lunch. You have to do, when you have to do it. But being a writer-director, is a blessing too, because I can make changes on the set, I can improve things on set, and know how it’ll affect everything. It’s like being able to see the whole map at once.

AS: Cool. I really enjoyed the batman scenes. I would love to see you doing a BATMAN film, or a JUSTICE LEAGUE film. So, what’s next for you?

DA: I’m working on a  movie called BRIGHT with Will Smith, and Joel Edgerton. Noomi Rapace is in it too. It’s gonna be pretty crazy, that’s gonna be pretty different.

AS: And the sequel to Suicide Squad

DA: Let’s see how it does (laughs). If people go to see it.

AS: Last question - What’s your least favorite and most favorite thing about New York?

DA: I love being able to walk around. I walked from Brooklyn to midtown yesterday. I love just walking around the city. I love the diversity, and I love seeing all the people, and I love hearing the conversations. But tourists (laughs). You’re trying to walk, and it’s like, they are in your way.

AS: Haha, I’ll have to agree to that. Thanks for talking to us. Congratulations again on the film, and all the best!

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ABOUT SUICIDE SQUAD

From director David Ayer (“Fury,” “End of Watch”) comes “Suicide Squad,” starring Oscar nominee Will Smith (“Ali,” “The Pursuit of Happyness”), Oscar winner Jared Leto (“Dallas Buyers Club”), Margot Robbie (“The Wolf of Wall Street,” “Focus”), Joel Kinnaman (Netflix’s “House of Cards”) and Oscar nominee Viola Davis (“The Help,” “Doubt”).

It feels good to be bad… Assemble a team of the world’s most dangerous, incarcerated Super Villains, provide them with the most powerful arsenal at the government’s disposal, and send them off on a mission to defeat an enigmatic, insuperable entity.  U.S. intelligence officer Amanda Waller has determined only a secretly convened group of disparate, despicable individuals with next to nothing to lose will do.  However, once they realize they weren’t picked to succeed but chosen for their patent culpability when they inevitably fail, will the SuicideSquad resolve to die trying, or decide it’s every man for himself?

Written and directed by Ayer based on the characters from DC Comics, the film also stars Jai Courtney (“Insurgent”), Jay Hernandez (“Takers”), Adewale Akinnuoye-Agbaje (“Thor: The Dark World”), Ike Barinholtz (“Neighbors”), Scott Eastwood (“Fury”), Cara Delevingne (“Paper Towns”), Adam Beach (“Cowboys & Aliens”), and Karen Fukuhara in her feature film debut. It is produced by Charles Roven and Richard Suckle, with Zack Snyder, Deborah Snyder, Colin Wilson and Geoff Johns serving as executive producers.

Worst. Heroes. Ever. See SUICIDE SQUAD in theaters August 5th. http://www.suicidesquad.com http://facebook.com/SuicideSquad http://instagram.com/SuicideSquadMovie http://twitter.com/SuicideSquadWB Pre-order "Suicide Squad: The Album" and receive instant downloads of twenty one pilots' "Heathens", Lil Wayne, Wiz Khalifa & Imagine Dragons with Logic & Ty Dolla $ign ft.

Conversation with filmmaker Joey Kuhn | THOSE PEOPLE

Born and raised in New York City, writer/director Joey Kuhn makes films that draw inspiration from the nexus of fine art and pop culture. Joey's short films Thinly Veiled (2010) and Now Here (2011) have played at festivals around the world. In addition to his work as a writer/director, Joey is an editor and a still photographer. He graduated from Brown University in 2007 with a B.A. in Art-Semiotics and graduated with an M.F.A. from NYU's Graduate Film Program in May 2014. THOSE PEOPLE is his first feature film. Joey had a conversation with Art Shrian, about the film, New York City and other stuff. Here are the excerpts:

What was your inspiration for this story?

For my first feature, I knew I wanted to tell a coming of age story for a young, gay man who meets the man of his dreams, but can’t let go of a lifelong infatuation with his best friend.  In college, I accidentally fell in love with my gay best friend and kept it secret from him for years, afraid of ruining the friendship (and of rejection).  I based Charlie and Sebastian’s friendship on the longstanding unrequited love I had for my friend, because I hadn’t been able to move past my “Sebastian.” I thought that exploring these emotions through the writing and directing of the film could help me get over him for good.  Sebastian’s ostentatious voice is based on my friend, but his unique situation came from another source. I was drawn to the story of Mark Madoff, Bernie Madoff’s son who killed himself two years after his father went to prison – a man whose life was ruined for something he presumably did not do.  I like difficult characters in film, but I knew I didn’t want to make Sebastian the main character. Instead, I wanted to explore that character through the eyes of someone who loved him.  It was also important to me to make a movie with authentic representations of gay men my age, which I rarely see onscreen. I didn’t want to tell another coming out story.


Why choose NYC as the backdrop of your story?

I’m a lifelong New Yorker (born and raised), so the city is incredibly important to me. It’s part of my identity. There was never a question that my first feature would be set anywhere else. I wanted to make my own love letter to the city, full of locations that were both cinematic and meaningful. From a storytelling perspective, I like romantic films that have a larger sociopolitical backdrop, and I knew that setting the film on the Upper East Side in the aftermath of a financial scandal would raise all the stakes. I didn’t want the movie to feel small.


What was the toughest thing about making this film? And what is the most rewarding thing to see this film completed?

One of the challenging aspects of making this film was deciding where to put the line of unlikeability with the character of Sebastian. I wanted him to be a bit of an asshole, who could say offensive, albeit charming things, but I wanted him to have a growth arc. He has to learn throughout the course of the film how to put others before himself, which is the opposite of Charlie’s arc. So in both the writing stage and the editing stage, I would track how the audience was reacting to the character, and when, if ever, they started to like Sebastian. I would change or edit out a few lines here and there, and people’s reactions would shift drastically. But I know that Sebastian is not for everyone. Some people love him, and some people hate him. Personally, I have great affection for his character, flaws and all, and he was the most fun to write. But I have had to learn how to be okay with some people hating him, and sometimes, because of that, the movie.  ...But trying to shoot the climactic roof scene outside during a huge, unexpected blizzard was not a walk in the park either.

The most rewarding thing has definitely been hearing from audiences who love the film, who connect with it emotionally, and see their own experiences reflected onscreen. So many people, both gay and straight, have told me the story of their “Sebastian.” I love that.

How important is it for storytellers to tell meaningful stories that can make a difference?

I think it’s important to always have the audience in mind when you’re making a film. I would love to be able to make a difference with my films, but for now I’m happy if I make something that touches people emotionally. I saw an interview with Dustin Lance Black, wherein he said that before he writes a script, he thinks about how he wants to “move the needle” in society. That’s a lot of pressure!  I do feel a personal responsibility to create authentic representations of our community. I didn’t set out to make an overtly political film with Those People, but I do hope that people outside the LGBTQA community see the film and realize how similar we all are. People are people.

What are your favorite NYC based movies & TV shows? And why?

I love almost anything by Woody Allen. I’m a neurotic, Jewish, New Yorker, so I connect very deeply with his sense of humor and general neurosis about everyday life. Manhattan, for me, is the ultimate New York movie. Gordon Willis’ cinematography is just perfect. I watched that movie so many times for inspiration while writing Those People, even studying its narrative structure.  I also love Hannah and Her Sisters, Bullets Over Broadway, and Interiors.  Breakfast at Tiffany’s is another one of my favorite NYC movies.  My mom watched that while she was in labor with me (which may explain why I’m gay). I want to cry everytime I hear “Moon River.” Paris is Burning is another one of my favorites - It’s incredible how so much of our gay slang today comes from that movie. I love the texture of the film, and how it captured the energy of the time. I think about the queens in that movie a lot, and how profound they were.

On the television front, nothing beats Felicity. I have such nostalgia for pre-cellphone New York. I was in high school when that was on, and I just wanted my college experience to feel like that. The first season is also beautifully shot, back when they used 16mm film. And Keri Russell is perfect.   I was also a huge Will & Grace fan. I think the character of Will Truman was the first time I felt like I saw myself reflected onscreen, even as a closeted teenager. Gay characters on TV had mostly been the flouncing other until then, and that character truly helped “move the needle,” as DLB would say. When I came out of the closet to my family in 2003, my younger brother Jake, who was 12 at the time, exclaimed, “You’re just like Will from Will & Grace!”

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THOSE PEOPLE presents a complicated gay love triangle, brimming with erotic tension, and opens a fascinating window into upper crust, young Manhattanites struggling to find themselves amidst a myriad of moral, emotional, and erotic choices.

On Manhattan's gilded Upper East Side, an impressionable young painter, Charlie (Jonathan Gordon), finds the man of his dreams in an older pianist from across the globe, Tim (Haaz Sleiman, 'The Visitor"). Unfortunately, Charlie is also consumed with desire and love for his manipulative best friend, Sebastian (Jason Ralph, "The Magicians"), who is embroiled in a Bernie Madoff-esque family financial scandal. Sebastian's coping mechanism is non-stop moneyed hedonism, and he insists Charlie join him on his self-destructive streak of sex, drinking and partying at his father's massive penthouse. In the wake of Sebastian's dangerous downward spiral, their tight-knit group of friends must confront the new realities of adulthood. Manhattan's Upper East Side provides the backdrop for a riveting tale of entitlement, privilege, loyalty, and their complicated effect on a young man's chance at love.

Beautifully shot, and capturing in fine detail a morally suspect world of elite Manhattan's young and rich, THOSE PEOPLE creates an unforgettable sense of place, mood, and time to tell an erotic story of the ethics of desperation disguised as desire. An award-winning debut feature from young, NYC raised writer/director Joey Kuhn.

Written, Directed, Produced by: Joey Kuhn

Starring: Jonathan Gordon, Jason Ralph (The Magicians), Haaz Sleiman (The Visitor), Britt Lower

Distributed by: Wolfe Video

More Info: https://www.wolfevideo.com/products/those-people/

Special Correspondents (3/4) | Conversation with Ricky Gervais, Eric Bana and others

Ricky Gervais is one of the most unapologetic, honest and hilarious comedians today. This movie is an example of that in many ways. Ricky picks the topic of journalism, but does not make it into a “statement”, but makes it into quite an honest human story. We got to attend a special screening and world premier of Ricky’s next directorial venture, which he also wrote & acted in, Special Correspondents. The film was followed by a special conversation with Ricky and team of the film.

 

***Spoilers***

Ian Finch (Ricky Gervais) is Chief Sound Engineer” at the not so popular radio station in New York. That’s his achievement in life, which his wife Eleanor (Vera Farmiga) is not very proud of. She craves an exciting, successful life, and ends up cheating on him with Frank Bonneville (Eric Bana). Frank is the local celebrity radio correspondent, who believes he’s meant and destined for better things. He gets a mission to go to Ecuador for reporting from the war zone, with Ian as his accomplice.  Due to a “small mistake” by Ian, throwing away their passports and tickets, they end up in the apartment of his friend’s right across from radio station, instead of Ecuador. They create fake reports, and start false reporting, to not let their boss (Kevin Pollak) know about it. And before they know, the plan goes too far for them to be able to handle, and it gets out of hand. Even though still benefiting there downwards careers and Eleanor’s aspirations as well.

***Spoilers end***

Ricky plays these underdog roles, which are complete contrast of Ricky we see at Golden Globes. But this movie is more a human story than a statement. And as expected, Ricky rocks the role. Eric Bana is quite brilliant in his role. You really can’t imagine anyone else in the role of a suave, cocky but a failure-ish guy. Vera seems kinda tired in her role, but it also suits the role. America Ferrera and Raúl Castillo are quite hilarious in their roles and Kevin is a treat to watch as well. He was life of the post-screening conversation as well.

The conversation felt like a roast of Ricky. But revealed some interesting information as well. Like:

  • Ricky feels like a fish out of water, that’s why he writes and plays such roles.
  • America wasn’t sure about the film, but did it because of Ricky. With Ricky, either way it’ll be fun.
  • Netflix is great platform, since it guarantees people will see it. That’s why Ricky chose it.
  • The movie wasn’t shot in Ecuador, since Ricky felt too lazy to shoot it there.

Listen To The Conversation Here:

The movie is on Netflix now, so go watch it.

It’s quite a fun joy ride.

Ricky Gervais's hilarious comedy follows a struggling radio journalist and his hapless technician faking frontline war reports from a NYC hideout. Only on Netflix April 29.